Valhalla and YOLO

The epic TV series Vikings tells of the ancient Norsemen and their raids on Britain, from the 8th century. The Vikings raided for food, land and wealth at times when their own lands were growing overpopulated.

Fearless in battle, they were motivated to seek honour in death. Regularly, the chieftain roused his warriors by recounting that all who perish in battle, ride with the Valkyries to Valhalla, the hall of Odin.

To the Vikings, victory was sweet but death in battle was sweeter still. Eternal glory awaited.  Consequently, the Vikings were formidable warriors, raiding east into Russia, south-east to the Caspian Sea and Black Sea, west as far as Greenland and Newfoundland, and south as far as North Africa and the Mediterranean.

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Today the dominant narrative is that beyond death, nothing awaits. The epithet YOLO or  ‘you only live once’,  means to live without fear.  A modern iteration of “carpe diem” YOLO is the catch cry of youths living large – whether by risky behaviour, fun loving silliness or challenging norms.

The two narratives have vastly different emphases of what lies beyond space and time, yet come to similar conclusions of how to live now. Both advocate courage in the here-and-now, to live boldly in the face of death.

What narrative do we live by? How do we face the inevitability of death and make our life count?

Krisis

The Greek word crisis /krisis/ means human or divine judgement, a decision, a sentence.

As part of narrative, the “crisis” is usually the turning point of the story, at which the tension reaches maximum point, the hero or characters are put through intense trial, until the “catharsis” , the purification, cleansing or resolution is found.

krisis

The ancient world believed, something the eastern world still appreciates, that this world is built upon justice. 

Ancient beliefs such as Hinduism teach that our suffering is merited for past misdemeanors. Buddhism teaches that ego and attachment cause suffering and that is in fact, detachment which brings “catharsis” or cleansing and release.

In this way, story and narrative are built within an ancient understanding of the world and the consequences of justice, and injustice faced by the characters. For this reason, ancient stories, myths and legends, retold in comic books, science fiction and fantasy hold such power in our modern world. These stories provide a meta-narrative in a post-modern era which has done away with such notions.

vikings

The popularity of medieval and ancient world narratives such as Vikings, Game of Thrones, Rome and other such sagas, though decried as violent, misogynistic, immoral, and licentious, simply illuminate the taste for a world ruled by justice, though harsh, somehow real and biting. These ancient worlds are populated by blood thirsty gods, vengeful warriors, power hungry despots, fates and powers.

It is within these worlds, because of their violence and darkness, that the voyeur can feel the bite of justice as characters meet their end. These worlds are Shakespearean and biblical in the darkness they portray. The world is wicked without much redemption.

Rome

In our contemporary context, we speak of issues of “justice” such as issues of child slavery, human trafficking, the exploitation of women, racism and more. However, an ancient understanding of “justice” would indicate that suffering is the normal state of humanity by merit of our hubris and corruption.

To frame these issues as matter of “injustice” implies a high view of human value from which we have slipped, and justice would require the righting of wrongdoings.

But how is this possible in a world corrupted through and through?

Merely showing mercy does not deal with the “just” nature of the universe. We cannot “love” the universe into wholeness.

justice

This is where narrative helps. Epic narratives depict the “hero” as the one who experiences the crisis, the judgement, in place of the innocent victims. The hero achieves the “catharsis” or the cleansing, the expurgation and righting of wrong.

Those who would fight against “injustice” must understand their role, like the hero of narrative, is to undertake the trial in place of the innocent one, to suffer the death and judgement issued to them by a cosmos geared by “justice” and in doing so re-balance the world.

Philippians 2:5-8 explains the Christian truth:

In your relationships with one another, have the same mindset as Christ Jesus:

Who, being in very nature God,
    did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
    by taking the very nature of a servant,
    being made in human likeness.
And being found in appearance as a man,
    he humbled himself
    by becoming obedient to death—
        even death on a cross!