The Ultimate Continuum

The much celebrated 2014 film Birdman, gives an insightful review of human (in)significance in one key scene between Sam [Emma Stone] and Riggan [Michael Keaton].

Riggan, an ageing actor and artist who is suffering an identity crisis, is counselled by his daughter as to how her recent stint in rehab helped her come to peace with her own anxieties. She methodically draws small dashes onto squares of toilet paper, 150 dashes per square, until she fills and entire roll.

The Ultimate Continuum Bear Skin Digital by jen bishop

Then she unfurls the paper roll and points out that one meagre square of tissue represents the entire span of human existence. One dash alone equals a million years and the roll entire, the 6 billion odd years of space and time. In so doing, her own and Riggan’s agonies over life significance are put into perspective.

The illustration questions any worries about life achievements, fame, or success. Indeed, there seems little difference between doing ‘something’ and doing ‘nothing’ with ones life, little difference between becoming a trillionaire even, and becoming a subsistence farmer.

Any sense of achievement then is simply won in comparison to our peers, those whose admiration we might crave or whose love or fear we might seek. Ultimately, however, we remain a small fleck within an infinite sea of darkness, a darkness within which giant stars burn for millions of years and even they remain dwarfed by galaxies, in turn dwarfed by the magnitude of space and time.

Is such an epiphany calming? or more anxiety inducing? Why in fact should we make any effort? and for what ultimately, is any effort of value?

What indeed then, is the difference between committing mass murder verses committing ones life to charity and community service? If ultimately, we are atoms afloat in an infinite sea of nothing, then nothing indeed is of meaning, is it not?!

The story explores the primal questions that existentialist philosophers have asked for millennia. It brings us back to the ground of being which is in our feelings, our hearts, our emotions and our soul. The difference between committing one’s life to harm verses help, lies in the significance of the human experience, in our feelings, our heart and soul. We draw our being from love, not from our achievements, our wealth, our power, fame or grandeur.

We don’t draw our significance from our stature amidst infinite space and time, for it renders us ridiculously finite; we draw our significance from the face of love, which is the face of God.

The question still stands, to what do we commit our little life to then, the hours we have, the time in our hands? The biblical story of the ‘talents’ [Matt 25:14-30] expounds on this very point. If you have one talent, double it; if you have five talents, make them ten. Whatever you have, work with it, double it, increase it.

And more than anything, do all you do, with love.

Emotional Hygiene and psychologically Bear Skin Digital by jen bishop

Emotional Hygiene

Dr Viktor Frankl in his book ‘Man’s Search For Meaning‘, talks about ‘hygiene’ emotionally and psychologically, a hygiene necessary to maintain a healthy mind and heart.

Upon release from internment in concentration camps, release from the extremes of deprivation and human suffering, Frankl observed that humans encountering their new freedoms had to be cautious of their emotional health in the following ways.

First, they had to be cautious to not react with vengeance and hatred towards the world, careless of the hurts or disadvantages towards others that their behaviour could cause, all the while justifying their actions by their own needless sufferings.

Second, they had to be wary not to succumb to bitterness when encountering those who would trivialise their prisoner experience with hollow platitudes devoid of any true empathy.

Third, they had to be on guard not to give in to disillusionment when returning home, upon learning that the objects of their love and hope for the future, their family, beloved, friends, were now gone.

In this way Frankl teaches us all, very few of whom have suffered the indignities of a concentration camp, to care for our own hearts and minds as though for our bodies and homes. We must daily clean the toxic emotional build up and thought patterns of life as we would ritually wash our hands before eating, our bodies before resting, our wounds before going out into the air. We must throw away rotting thoughts and attitudes before they infect our lives and vigilantly clean up our living space of soiled attitudes or ideas past their due date.

How is your emotional hygiene?

On Responsibility

In Victor Frankl’s work ‘Man’s Search For Meaning‘, he explores the question of what is the ‘meaning’ of life. Frankl explains, that life, like the game of chess, has no perfect move, only the perfect move for a specific player in a specific situation. Life has no ‘meaning‘ other than meaning derived from responding to one’s life in any given circumstances.

He correlates then, ‘responsibility‘ with the essence of human existence. To live meaningfully, one is to imagine one is living for a second time and that the first time we lived, we made every mistake possible. This imagining, confronts us with all of life’s limitations and the finality of what we make of our life and of ourselves, pushing us to be responsible.

He continues. The question of ‘responsibility‘ calls into question whether we are truly free or not. If we are indeed victims of life, we have no responsibility for the consequences of our existence. However as victims, we are not truly free. If we are however, to claim to be truly free beings and to have agency over our existence, we cannot then fall back upon the comfort of claiming ‘victimhood’. We must face the reality that our life, and the consequences or our existence, and indeed our total responsibility.

Frankl, as a psychiatrist, saw his role in therapy much the way an eye-surgeon would when dealing with a patient. He worked on the faculty of sight to restore a patient’s ability to see the whole spectrum of his or her potential and the meaning of their life. By helping a patient to become ‘responsible’, he would help them become empowered to actualise the potential meaning of their existence.

And in doing so, no matter the circumstance of his or her life, to become truly free.

On Suffering and Joy | Viktor Frankl Bear Skin Digital by jen bishop

On Suffering and Joy

In Victor Frankl’s treatise ‘Man’s Search For Meaning‘, he compares suffering to a gas. It will fill any space it’s given.

The 1946 book, first published under the title ‘From Death-camp to Existentialism‘ chronicled Frankl’s experiences as a prisoner in Nazi concentration camps during World War II. In it he examines the effects of extreme suffering on the human psyche and outlines the early formation of his life’s work as a psychiatry, namely his method of ‘logotherapy‘ a process by which a patient identifies a purpose in life. At the time of Frankl’s death in 1997, the book had sold over 10 million copies and had been translated into 24 languages.

Frankl identified that inside the concentration camp, almost any circumstance, great or small, suffering or joy could fill it. For example, a starving, half frozen prisoner of war, deprived of all freedoms, dignity and comforts and driven to work in degrading conditions, can pause and note a beautiful sunset, feeling a moment of joy.

Conversely, a man, well fed, free, warm, wealthy and honoured could feel intense existential suffering for want of any sense of life meaning.

So is the human condition, both fragile and curious.

Valhalla and YOLO

The epic TV series Vikings tells of the ancient Norsemen and their raids on Britain, from the 8th century. The Vikings raided for food, land and wealth at times when their own lands were growing overpopulated.

Fearless in battle, they were motivated to seek honour in death. Regularly, the chieftain roused his warriors by recounting that all who perish in battle, ride with the Valkyries to Valhalla, the hall of Odin.

To the Vikings, victory was sweet but death in battle was sweeter still. Eternal glory awaited.  Consequently, the Vikings were formidable warriors, raiding east into Russia, south-east to the Caspian Sea and Black Sea, west as far as Greenland and Newfoundland, and south as far as North Africa and the Mediterranean.

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Today the dominant narrative is that beyond death, nothing awaits. The epithet YOLO or  ‘you only live once’,  means to live without fear.  A modern iteration of “carpe diem” YOLO is the catch cry of youths living large – whether by risky behaviour, fun loving silliness or challenging norms.

The two narratives have vastly different emphases of what lies beyond space and time, yet come to similar conclusions of how to live now. Both advocate courage in the here-and-now, to live boldly in the face of death.

What narrative do we live by? How do we face the inevitability of death and make our life count?

The World of Story

Beneath the entertainment and diversion of narrative and art lies a great power – the power to tell a truth or truths.  Many of us would watch a film or read a book for an escape from the real world, but there are in fact much greater and deeper purpose to story and art. 

Post-enlightenment theory and post-modern philosophy would have us believe that “there can be no certainty in an objective reality or morality.” The only certainty we can have is our own existence and experience.

star wars

In contrast, for narrative to work, a story must exist within a world built upon various rules: a historical, political, geographical, and moral framework, one fit with religions, fate and destiny for characters and a trajectory and denoument for the plot. The hero belongs to this world and explores it, constrained by its rules and limitations, struggling against foes therein, travelling through its landscape and striving to find catharisis and resolution.

Immersion in a narrative world for the contemporary reader, is immersion in a world of objective meaning, against which the protagonist can struggle to find themselves. By following the protagonist through this  world, the reader can find some foundation from which to understand their own world, a world often too terrible and great to understand alone through one’s subjective lens.

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What is truth?

In the west, we condone a liberal tolerance of all points of view – asserting there is no such thing as “ultimate truth.” This itself is a truth claim but is a valid truth claim because it supports freedom of thought. So we believe in individual freedom.

We don’t believe in any over arching system of ethics or system of truth,  until another culture contravenes our ideas of what is right and wrong. Case in point, what greater evil than the censorship of freedom of speech? right ?

In western nations,  we believe in the power of forgiveness but not in oppressive views or regulations about sexuality. Other cultures believe in conservative sexual values, but not necessarily in our liberal notions of forgiveness. Not an honour-shame society for example.

What is right and what is wrong ? Our bias tells us our ways are right and others are wrong. Other’s truth claims lead to violence and hate. Our truth claims are valid because they endorse freedom and life.

In western nations, we hold dearly to notions of liberal individualism, yet imposing such notions on developing communities, essentially divorcing the individual as an entity from their community, wreaks havoc both for the individual and for the community in question. So well meaning help, from the vantage point of what we value highly can  actually be a violence to a community.

This begs the question of whether there is an ultimate narrative to aspire to understanding – an ultimate hero-journey, an ultimate discovery of “what is” that will guide our way? Or do we simply impose order and narrative onto life? This quote caught my eye recently in the Huffington Post.

In 2009, Julianne Moore’s mother, Anne Smith, died suddenly of septic shock. She was 68, and Moore was devastated. After that, she stopped believing in God. “I learned when my mother died five years ago that there is no ‘there’ there,” Moore, 54, told the Hollywood Reporter.

“Structure, it’s all imposed. We impose order and narrative on everything in order to understand it. Otherwise, there’s nothing but chaos.”

Do we impose a narrative on life – or is there a narrative there to discover ? Ultimately, what is truth?

Interestingly, Pilate asked the same question of Christ. John 18 recounts:

37 “You are a king, then!” said Pilate.

Jesus answered, “You say that I am a king. In fact, the reason I was born and came into the world is to testify to the truth. Everyone on the side of truth listens to me.”

38What is truth?” retorted Pilate.

With this he went out again to the Jews gathered there and said, “I find no basis for a charge against him. 39 But it is your custom for me to release to you one prisoner at the time of the Passover. Do you want me to release ‘the king of the Jews’?”

40 They shouted back, “No, not him! Give us Barabbas!”

In John’s account, Jesus makes the startling claim to not “speak the truth” but the “be the truth” that all truth-tellers speak of.

In our understanding, the teachings of Christ are good and moral. He taught to forgive, to show mercy, to love our enemies. He gave up his life for these values. He was an iconoclast, a prophet not unlike Ghandi or Siddharta.

His audactious claims tell us a few things:

  1. He did not ever wish to be a good teacher pointing to the truth. He cannot be equated among good teachers for this claim.
  2. In the words of C S Lewis, “He is either a lunatic, a liar or …………….”

So, what do we do with his claim to BE the truth? If he claimed to embody the truth, this truth must be something like freedom or life, the only things that are of ultimate value and not relative worth.

Science makes truth claims, but science is a provable system of empirical tests. Science claims don’t seek to control us, but rather support our understanding of the reality we live in. Moreover, the claims of science are ultimately disprovable, and the next test or proof can totally shift our understanding of reality to a new and deeper truth claim.

C S Lewis explained his belief in God:

I believe Christianity just as I believe the sun rises, not only because I see it, but because by it I see everything else.

So Christ claimed to be the light by which we would see the world and reality.

In narrative terms, Christ claimed to be the ultimate narrative to aspire to, the ultimate meaning in the universe. He stated that we do not simply “impose order and narrative” onto everything, but his IS the grand narrative.

 

 

 

 

 

 

 

 

The Myth of Thamus and Theuth

In the writings of Phaedrus, Socrates tells his disciples this story.

Among the ancient Egyptian gods, there was one called Theuth who discovered “number and calculation, geometry and astronomy, as well as the games of draughts and dice, and above all else, writing” (Phaedrus, 274d). One day, Theuth visited Thamus, King of Egypt, urging him to disseminate the arts around Egypt. For each art that Theuth presented, Thamus offered his praise and criticism. When it came to writing, Theuth said:

O King, here is something that, once learned, will make the Egyptians wiser and will improve their memory; I have discovered a potion for memory and for wisdom. (Phaedrus, 274e)

But Thamus replied that, as the “father of writing,” Theuth’s affection for writing had kept him from acknowledging the truth about writing. In fact, Thamus asserted, writing increases forgetfulness rather than memory. Instead of internalizing and understanding things, students will rely on writing as a potion for reminding. Moreover, students will be exposed to many ideas without properly thinking about them. Thus, they will have an “appearance of wisdom” while “for the most part they will know nothing” (Phaedrus, 275a-b).

myth of theuth 3

Socrates used the illustration to point out that writing alone has no understanding of itself and “continues to signify just the same thing forever” (Phaedrus, 275d-e). Nor does it discern its audience nor offer self explanation. Socrates instead favoured conversation, “the living, breathing discourse of a man who knows, of which the written one can be fairly called an image” (Phaedrus, 276a). Socrates praised dialectic:

The dialectician chooses a proper soul and plants and sows within it discourse accompanied by knowledge—discourse capable of helping itself as well as the man who planted it, which is not barren but produces a seed from which more discourse grows . . . Such discourse makes the seed forever immortal and renders the man who has it as happy as any human being can be. (277a)

As a lover of good writing and an advocate of literacy as key to community development and human emancipation, I find this conversation  interesting for a few reassons.

  1. First, it comes to us via text. We enjoy it and think about it purely because it is recorded in writing.
  2. Second, Socrates highlights that “meaning” is the soul of communication, and the rendering of the human heart and mind, its greatest good. The absence of human interaction, leaves a vacuum, giving space for the empty pursuit of knowledge, disconnection of thought from feeling, and the subjectification of meaning altogether.

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Much like contemporary complaints of electronic forms of communication “killing conversation”, we can view first hand an ancient discussion of the same problem. The key it seems, is that humans must talk “to” each other and not “about” each other.  Reading “about love” is not the same as “behaving lovingly”.

Nevertheless, the power of this analogy even today, shows that writing has its place. Phaedrus accused Socrates of inventing the myth to support his point and Socrates did not disagree.  Word pictures, poems and stories particularly have an ability to capture timeless truths, and carry meaning throughout the ages.

A good poem helps to change the shape and significance of the universe,
helps to extend everyone’s knowledge of himself and the world around him
—Dylan Thomas

When all is said and done, nothing beats human relationships, dialogue, discourse, dialectic and discussion. Turn off our e-devices, close the books and have a chat.

Untranslatable

One of the most magical things about language is the element of “semantic range.” This is the realm of meaning for a word that gives language its depth and colour.

For example, in English the word “house” can mean “the building in which I live”. It can also be the verb “to house” meaning  “to keep under shelter”.  It however can also mean, “dynasty” such as the “House of Windsor” or it could mean a type of theatre –  “play house” or a toilet – “out house.” This doesn’t account for other usages such as idioms, “to bring the house down” or “to get on like a house on fire.”

Quickly we can see the richness of language and good writers pick up these nuances and play them to maximum effect, much like great musicians play with notes, chords and keys.

Words are simply human thoughts, and when words are lost, or whole languages die, unique thoughts are lost. George Orwell, in 1984, in his description of a dystopic future world ruled by “Big Brother”, describes the gradual elimination of words from the dictionary in an effort to curb thought.

So in celebration of the richness of language and the richness of thoughts, please enjoy this series of “untranslatable words from other languages”.

1. Fernweh (German)

2. Komorebi (Japanese)

3. Tingo (Pascuense)

4. Pochemuchka (Russian)

5. Gökotta (Swedish)

6. Bakku-shan (Japanese)

7. Backpfeifengesicht (German)

8. Aware (Japanese)

9. Tsundoku (Japanese)

10. Shlimazl (Yiddish)

11. Rire dans sa barbe (French)

12. Waldeinsamkeit (German)

13. Hanyauku (Rukwangali)

14. Gattara (Italian)

15. Prozvonit (Czech)

16. Iktsuarpok (Inuit)

17. Papakata (Cook Islands Maori)

18. Friolero (Spanish)

19. Schilderwald (German)

20. Utepils (Norwegian)

21. Mamihlapinatapei (Yagan)

22. Culaccino (Italian)

23. Ilunga (Tshiluba)

24. Kyoikumama (Japanese)

25. Age-otori (Japanese)

26. Chai-Pani (Hindi)

27. Won (Korean)

28. Tokka (Finnish)

29. Schadenfreude (German)

30. Wabi-Sabi (Japanese)

http://www.boredpanda.com/untranslatable-words-found-in-translation-anjana-iyer/