What’s in a spell?

This semester I embarked on the very first subject of a law degree, a study which, if completed at the current pace of one subject per semester, will take me 12 long years to complete.

As a lover of debate, dialogue, the parsing of meaning, the construction of ideas from mere ink marks on paper, much of law, even the introductory subject I have completed thus far, is fascinating.

For example, the legal definition of a “person” in Australian law is “a body politic or corporate as well as an individual.” [Acts Interpretation Act 1901 (Cth)]. So, to be a “person” in legal terms is to be more than a human individual, but also to be a business, or a nation, at least in terms of rights and responsibilities.

Screen-shot-2014-10-16-at-10.50.06-AM

The magic is that a business is created, or born, when a person or group of people register a business name, acquire an ABN, perhaps create a constitution outlining shares and duties and VOILA,  a person is summoned from thin air, from ink marks on paper.

It follows, ergo, that since words create things, and contracts and constitutions, rightly parsed and formally agreed upon, create something with legal force, an entity, a person, out of the air from nothing…. then laws are like spells.

Furthermore, after studying a few semesters of Biblical Hebrew, it came clear that the commonly used magical term “Abbrakadabra” had Semitic roots. “E’barah, ki’dibborah” literally reads “let it be [created] by the word.” The Hebrew verb barah is used in Genesis 1 to describe God’s creation of the heavens and the earth from nothing, from mere words or commands.

bereshit_bara_elohim_400x400

What unfolds though is an interesting correlation between ancient literature and modern physics. The Hebrew account of creation, in comparison to many creation myths of the Ancient Near East [ANE] saw all matter arising from the divine word or “logos”. Sumerian, Babylonian, Assyrian and Egyptian creation accounts of that time, told of the stars, planets, oceans and mountains being formed from the corpses of slain divinities.

Contemporary physics identifies energy underlying all matter, and asserts that our thoughts themselves create energy. It seems the ancient Hebrews understood the world is the articulation of a spectacular divine thought and word.

bereshith

Another unique feature of the Hebrew creation story is the nobility granted to humanity. Rather than a servile race, condemned to suffer from the whims of their makers, Hebrews saw humans, gifted with God’s image, capable of further shaping and forming the material world.

Indeed, it is by “words” that humans create laws, contracts, constitutions and so forth, which form societies, nations, businesses, relationships and more.

Percy Shelley in his essay “A Defense of Poetry” [1821] writes “poets are the unacknowledged legislators of the world.” What he points out is that by the “word,” poets move ideas into energy. In doing so they bring into being, a force and energy, much like a law or a spell does. 

It is their poems, songs, elegies and ballads, which have the force to move humans, to move societies, and to change them and form them anew. 

The-Creation-of-a-Poet

It was and is the job of poets, much like lawyers and good governors, to bring life to societies, to nations, to businesses, to individuals and more.

 

The Neverending Story: Part II

When Bastian hides in an attic to read a mysterious book, he discovers that this is no ordinary story……..the Neverending Story is a living book.

It tells of Fantasia, a land of magical creatures threatened by the Nothing. The Childlike Empress needs a new name and only a human child can grant it. Hardly believing what is going on and shivering in his damp attic, Bastian calls out the Childlike Empress’ new name and in doing so, he enters the Neverending Story.

MCDNEST EC006

He finds himself a character within the story he was reading, Here, Bastian is handsome and bold, a boy equal in strength and courage to Atrayu. As saviour of Fantasia, he is granted AURYN, the gem of the Childlike Empress, inscribed with the words “Do As You Wish.”

Here, his imagination can create worlds. Everything he wishes, comes to pass.

Bastian is cautioned by the Childlike Empress to be aware that his wishes become realities, and these realities affect the fates of other Fantasians. Bastian can only govern Fantasia well when he considers deeply his desires and wishes only for what he truly wants.

10739_4

However, as Bastian grows in confidence, he becomes less and less aware of the deep desires that motivate him, and less careful of the consequences of his wishes. With every wish Bastian loses a memory of his former life. Atrayu points out, that without memory, Bastian cannot have a true will and without a will, he will lose himself.

Without a will, he cannot wish himself home again.

Can Atrayu save Bastian from his descent into madness? Will Bastian become trapped in Fantasia forever?

MSDNEST EC029

Ende achieves in the second part of the Neverending Story, new insights of the significance of dream and myth to human health and happiness. Just as travelling into our dreams and subconscious is necessary for human health, a journey required to understand our deep complexes and to do battle with our subconscious fears, so too the converse journey is critical – the return to conscious life.

It is in the conscious world, our external world, where human relationships occur that the deep desires of the human heart are realised. Here we love, are loved, face external challenges and grow.

A person lost in dream or myth, or a person at the mercy of their fantasies and desires, without touch with the real world, is someone who eventually loses touch with their core identity, their memory, their will, even their own name.

https-s3-ap-southeast-2.amazonaws.comnine-tvmg-images-prod104722104722_102573_3

The maddened Bastian becomes so lost in his own fantasy that he needs a saviour, someone who can give him a name and restore enough will for him to remember his father and so desire to return home. Moreover, Bastian needs someone to remain in Fantasia to take responsibility for all the stories that his wishes have given life to.

Atrayu, despite being betrayed and wounded by Bastian steps in, reminds Bastian of his true name and in doing so restores him with enough will and memory to send him back to his conscious life.

It is Atrayu who remains in Fantasia to finish the story. And so Ende delivers the final note to his story. The true hero sacrifices himself so Bastian might have life.

MBDNEST EC004

Atrayu is not a product of Bastian’s imagination. He is the character who drew Bastian into Fantasia, he was betrayed and wounded by Bastian his friend, and now as Bastian surrenders AURYN, at his wits end, Atrayu restores Bastian’s ‘self’ and ability to return to a life of relationship and being.

We need more heroes like Atrayu.

 

The Neverending Story: Part I ….

When Bastian Balthazar Bux, a shy, fat and lonely school boy, steals a mysterious book from a mysterious book shop one rainy morning, and hides in an attic to read it – little does he know of the adventurous journey on which it would take him.
Lost in the world of Fantasia, Bastian reads of the adventures of Atrayu, a boy his own age and his friend Falkor the Luckdragon, as they seek a cure for the Childlike Empress. The Empress is dying and with her, the land of Fantasia, a place where every imaginary character of dream and story lives.
2542_1
What is the cause of the Nothing which threatens to consume all of Fantasia? Can Atrayu find the cure for the Empress and turn back the destruction it brings?
Michael Ende’s classic children’s tale, The Neverending Story was first published in 1979 and has been since made into several films. Originally a playwright, Ende is best known for his children’s stories which have sold over $35 million of copies worldwide and translated into over 40 languages.
The story is a rich tapestry of mythology and legend and like all good works of fantasy plumbs the depths of human identity and purpose via our dreams.
image-w856
Moreover, like the works of many fantasy writers of the 19th and 20th centuries, including JK Rowling, CS Lewis and JRR Tolkein, Michael Ende’s fantasy functions as a polemic against modernity, rationalism, pragmatism, and progress and calls readers back to values of the romantic era, values such as the the imagination, intuition, and the transcendent.
One such key message emerges in dialogue between Atrayu, our hero, and the wolf, Gmork, a servant of the Nothing. Gmork explains the relationship between the death of Fantasia and the world of humans.
Humans have stopped believing in Fantasia, Gmork explains, and because they have stopped believing, they have stopped visiting. It is human imagination which gives Fantasia its life and without their presence, Fantasians are perishing, consumed by the Nothing.
MCDNEST EC012
When humans did visit, they were able to return to their own world and see it through a more magical lens. In this way, Fantasia and the human world are necessary sides of a coin, each needing the other.
The creatures of Fantasia are not only dying, but as they are consumed by the Nothing, they end up in the human world but not in their fantastical form, but in the form of the lies. They become the vain hopes and delusions of the human world such as ambition, greed and vice.
With this brief parable, Ende manages to sum up the modern malaise. Enlightenment and post-enlightenment rhetoric of the 1700s and 1800s, emphasised the rational and scientific, marginalising the role of religion, myth and legend to the realm of childhood or the primitive man.
dims
The result however was the impoverishment of the subconscious, the dreamscape and the deep psyche which when left unexamined, plagued modern man with unresolved issues such as depression, malaise, unacknowledged vices, greed, self obsession and nihilism.
The Neverending Story is “preaching” the value of dreams, imagination, and story as portals to the depths of the human heart.
Through stories and dreams we can come to know ourselves and we learn to restore our connectedness, a sense of something larger than ourselves,  trust in one another and a hope for our world.