Birdman is a 2014 comedy-drama with a stellar cast inlcuding Michael Keaton, Edward Norton, Emma Stone and Naomi Watts [among others]. It is an interesting commentary on being an artist in a celebrity mad world.
Most of Birdman appears to be filmed in a single shot.
The story follows Riggan Thomson (Keaton), a faded Hollywood actor famous for his role as superhero Birdman, as he struggles to write, direct and star in a Broadway adaptation of a short story by Raymond Carver.
The parallels between Keaton [Batman] and Riggan [Birdman] overlap parrallels between the Raymond Carver play, “What We Talk About When We Talk About Love” and Riggan’s own quest for affirmation.
We follow his feeling of insignificance in an age in which comics make billions and anyone without a Twitter account “doesn’t exist”.
When Riggan is visited by his ex-wife but all he can think of is whether Clooney [another Batman] will be more remembered than him. His wife informs to him that he misunderstands admiration for love. He is not alone in this delusion however. His charismatic costar Mike [Edward Norton] can only be himself on stage, off stage his life is a mess. Another co-star Lindsay [Naomi Watts], neurotically awaits to be told she has “made it” by performing on Broadway.
Riggan faces the harshest of New York theatre critics, one who promises to destroy him and delivers the ultimate insult – he is a celebrity and not an artist.
Ironcially, a mistake causes Riggan to be locked out of the theatre in his underpants and forced to walk through Times Square, causing tens of thousands of shares on twitter, and thus propelling him into the limelight.
Later a failed effort to commit suicide on stage results in him being declared an exciting new method actor by the same theatre critic.
The film is a reflection on success in art, fame, celebrity and integrity of being. It looks at the pressures and anxieties artists face to have their work scrutinised and destroyed by critics, at the mercy of the twitterverse, seeking to hold onto a feeling of being a part from their artistic creations.
In a profound life learning, Riggan’s daughter [Emma Stone], a world weary rehab survivor, maps out the age of the universe in dashes on a roll of toilet paper. One small square equals the entire time humans have been in existence.
The illustration reduces human hubris to one insignificant square of tissue.
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